Lars Teichmann:
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Lars Teichmann's works forge a connection between traditional painting and expressive contemporary art. He often draws inspiration from historical sources, including Baroque and Classical still lifes and portraits, as well as historical photographs, costume books, and Japanese woodcuts. However, these originals undergo an intense transformation: Teichmann alters them with streaks, drippings, and monochrome surfaces, reducing the motifs to their barest remnants. Most of the original details are deliberately obliterated in the process. His treatment of portraits is particularly striking, as he obscures faces with large blobs of white paint, reducing the traditional genre to absurdity. While portraits conventionally celebrate the individuality and positive traits of their subjects, Teichmann strips them of their identity, transforming them into anonymous figures.
What might initially appear spontaneous and radical is underpinned by a deliberate conceptual framework. Teichmann not only elevates his motifs to a new artistic plane by omitting or distorting elements traditionally deemed essential, but he also challenges ingrained viewing habits. His paintings often evoke a sense of familiarity, yet the extensive distortion renders them resistant to clear categorization, provoking viewers to question their perceptions and assumptions.
Born in 1980, Lars Teichmann began exhibiting his work in 2004. He studied fine art under Professor Daniel Richter at the Berlin University of the Arts and completed his studies as a master student of Professor Valérie Favre. Teichmann's work has been showcased across Europe in museums, galleries, art fairs, and biennials, including the Venice Biennale in 2011. His art has earned numerous awards and is included in many public collections. Lars Teichmann lives and works in Berlin.
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